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If you’re going to go to the trouble of relaunching a series to attract new readers, it makes sense to try to hook those readers, no? So what Waid and Samnee give us in Daredevil #1 is an action-based issue, centering on an extended chase. Waid does a nice job relaying that Daredevil, who though blind can “see” much more with his senses, is somewhat lost in his new surroundings. He’d gotten so accustomed to the smells, sounds, and patterns of NYC that it greatly helped his super heroics. By contrast, San Francisco is a mess of new stimulus that he hasn’t been able to sort and parse yet. The basic plot of the story is that the deputy major’s daughter has been kidnapped by terrorists. Murdock uses his enhanced senses and deductive reasoning to (rather easily) figure out where the girl is and rescue her. The twists is that he’s pursued by goons on what look like Goblin gliders and Daredevil soon realizes that the girl has been implanted with an explosive device that the terrorists hope they will be able to detonate in a large crowd. It’s a pretty dark and sinister plot move, but Waid and Samnee are able to make the story still feel like a fun adventure. It’s interesting that the creators choose to lead with a mysterious organization rather than a name villain – one who might be more marketable. In some ways, it’s reassuring because it shows that Marvel is letting Waid tell his story with Daredevil rather than making him include Bullseye or Kingpin since it’s a #1 issue. The other primary mystery in Daredevil #1 is what’s happened to Foggy Nelson, who was last seen battling cancer. The end of issue #1 has Matt Murdock referred to Foggy in the past tense (and we see an urn surrounded by pictures of Foggy), but there is someone who appears to be Foggy watching Matt. Maybe this is safe cover for Foggy to recuperate? As is usually the case, Chris Samnee delivers highly enjoyable artwork. His sense of design and color are very strong, and this means that his “montages” are really gorgeous and effective. There are a couple of these early in issue #1, which establish Daredevil for those unfamiliar with him. We get his quick background in a full page, and then we get his relationship with NYC in a full page. That page is a great combination of art and the writing of Waid, including the line, “The song of the George Washington Bridge when the winter wind plays its cables like an ultrasonic harp.”
In some ways, this issue feels somewhat “light” since there is no shocking or world-breaking event teased. Still, it’s a very well-crafted issue in terms of story, character, art, and writing. I don’t mind Daredevil being relaunched if it means that more fans get to see what tremendous work is being done each month with Murdock and company by Waid and Samnee.