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Our protagonist, Carrie Mathison (Clare Danes) has to be one of the most unconventional female leads to ever be featured in a drama series. A driven career woman and dedicated intelligence agent, Carrie is brilliant, unpredictable, passionate and audacious, with a non-linear way of thinking and a personality that thrives on risk-taking; apparently all symptoms of her carefully hidden mental illness.
In Brody (Damian Lewis) the marine she initially suspects of being a “turned POW”, Mathison finds another damaged human being whose mental scars seem to overwhelm his own free will and jeopardize his personal relationships, and is drawn to him despite her primary agenda: to uncover the mole working for Al-Qaeda.
After the revelation at the very end of "Achilles Heel" - that Brody HAS
secretly been in touch with head of Al-Qaeda in Iraq Abu Nazir after all - we
join him at the start of "Crossfire" in his local market, buying groceries for
his family and struggling with the alien concept of “vitamin water”. There’s
something painfully human about him as he asks the cashier for help deciphering
his wife’s shopping list, before being forced to acknowledge his celebrity
status yet again when the woman recognizes him. We’re reminded that,
no matter how long Brody spends back in his native country, he will always feel
out of place now, forced to live a tame, manila life to which he can’t adjust.
Perhaps it comes as a welcome respite when he’s jumped and beaten brutally
by two guys in the parking lot, who then inject him with a sedative before
bundling him into an SUV.
Meanwhile, in the wake of the FBI’s mistaken shooting of innocent Muslims, Carrie visits the mosque, which is now surrounded by a heaving mass of press. She makes her way quietly and efficiently inside to consult with Special Agent Hall (played in wonderfully uptight fashion by Billy Smith) and figures out exactly how Tom Walker (the US marine turned terrorist agent) came to be there. Yet again, Carrie shows us how she differs from her peers in her attitude towards gathering intelligence by asking Hall to remove his footwear in the mosque, not because she wants it will ‘look good’, but because she finds it personally offensive that he isn’t showing respect.
After questioning the Imam thoroughly, it’s obvious he knows more than he’s saying and Carrie realizes she will have to use more than just her natural charm to get what she needs from him. Meeting ex-colleague Hall informally in a diner, Carrie records his candid conversation in which he admits that the FBI fired without provocation on the men in the mosque, and proposes to Estes to use it as leverage to get the Imam to speak to her again. Amazed at her audacity - “is there no bridge you won’t burn Carrie?” – Estes orders her not to interfere with the FBI’s hunt for Walker, and so forces her to try another approach, which thankfully pays off when the Imam’s wife tells her Walker had been seen meeting a Saudi diplomat.
Having been taken from the parking lot to another location, Brody is lying drugged and bound to a bed and, either as a result of the drugs or just as a consequence of unconsciousness, we’re treated to a heaping helping of useful exposition. As we learned a few episodes back that Brody and Nazir had developed a close relationship as a result of the man’s unexpected kindness to his prisoner (Stockholm Syndrome seems too simple a term to describe it), we’re now told how this came about.
Having removed Brody from his cell and daily torture regime, it seems that Nazir appointed him as tutor and guardian of his young son Isa, allowing him to live as a free man within his home. As we see the relationship between the man and the boy grow closer, it becomes obvious what fate will befall the kid and act as a catalyst for Brody’s supposed sway in allegiance. Sure enough, Isa’s school is decimated by a US drone, killing him and maiming his classmates and Brody and Nazir watch the news together as the vice president (Walden) declares the attack a victory for America.
After the carefully planned journey we’ve traveled to at this point, I have to say that the device of Isa felt rather a clumsy and indelicate way to reveal the mechanism of Brody’s ‘turning’, but having said that, it’s still not entirely clear what Brody’s mission – the vow he made with Nazir in the wake of Isa’s death – actually is. Is he planning on assassinating the vice-president? Force him to publicly acknowledge the truth about the intelligence behind the attack? Whatever it is, it’s clear that as a result of his experiences with Nazir, Brody is committed to aiding him and getting as close to Walden as possible in order to carry out his duty, even if it means running for office himself. Which leaves us wondering what Tom Walker’s role is after all?
Overall, my general feeling about this week’s installment is that there wasn’t enough Saul/Carrie interaction for my liking. Mandy Patinkin’s character is the heart and the backbone of this show for me, and every scene he and Clare Danes share is sheer joy to watch. The lopsided, weirdly paternal relationship the two characters have is one of the most believable aspects of Homeland and it’s wonderful how - sometimes with only the sparsest dialogue - they convey so much of their own. Although such different people, it’s clear they share a common bond: an overwhelming obsession for their work and for the execution of their duty at all costs, including any hope for a stable, loving relationship.
It is fitting then, that we leave the two of them together at the end of this episode, staking out the home of the Saudi diplomat acting as Nazir’s contact as a substitute for the home life neither of them can sustain.