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Manga 101 – Best in Class

Manga is the Japanese word for comics, literally meaning “whimsical drawings”. If you have a favorite anime, chances are it was spawned from a comic of the same title. Reading them requires some adjustment, though. Since Japanese is read from right to left, you read manga the same way – from back to front. If that doesn’t make your head explode, here are some of the best places to start.

Bleach by Tite Kubo
Original run: 2001 - ongoingbleach
What is it?: Ichigo Kurosaki is a High School kid that has always been able to see spirits. When a Shinigami (Death God) gets injured protecting his family from an evil spirit known as a Hollow, the young Kurosaki becomes a substitute Shinigami and is entrusted with protecting his town from the threat of Hollows. That was 450 chapters ago. Add in an entire Soul Society of Shinigami, Hollow hybrids and a conspiracy centuries in the making and you start to see the scope of this series.
Why it’s good: Strong story. This thing will suck you in. What starts as a simple story about a guy fighting some evil spirits turns into an incredibly layered and engrossing spiritual opera. Typical clichés of the genre are avoided when they can be, making for a very surprising and refreshing take on some of the more standard manga plots.
Why it’s meh: Way too many faces. Once the meat of the story unfolds, the comic juggles upwards of 40 different characters, and then essentially doubles that later. To be fair, Kubo does a decent job of giving them all a unique personality. It’s still a daunting task to keep track of all the players in this one.
American comparisons: While Dragon Ball Z originates from Japan, it’s been part of American culture for long enough to compare. The plot structure is very similar, and like Goku, Ichigo and co. must fight their way through seemingly insurmountable enemies. No wish granting dragons here, though.

Death Note by Tsugumi Ohba and Takeshi Obata
Original run: 2003 - 2006dn
What is it?: Young genius Light Yagami resents crime and injustice in all forms. When he finds a discarded Death Note – the tool used by Shinigami (yes, more death gods) – he also finds a way to create his own utopia free of crime. The device comes with simple instructions: The human whose name is written in this note shall die. After he tests it on a convict on death row, Light adopts the alias of Kira, and begins his work with the original owner of the Death Note, the shinigami Ryuk, observing out of simple curiosity. What begins is a Sherlockian battle of wits between Kira and L, a nameless detective prodigy. What is Light to do? Maybe join the very investigation that’s trying to bring down Kira himself.
Why it’s good: The first half. Out of all the manga I have read, the first half of Death Note is nearly flawless. The pace never slows, with epic sword battles being replaced with battles of intellect. How writer Tsugumi Ohba is able to make a comic devoid of action so thrilling is something that should be praised. The protagonist is essentially the villain of the story – think Dexter, only supernatural and on a massive scale. You can’t help but root for Dexter, but Kira, not so much. While Dexter may kill one person an episode, Kira writes hundreds of names in that book of his.
Why it’s meh: The second half. While the first half of the series was “cat and mouse” at its finest, the second half takes it to the extreme. When Kira acts, his nemesis anticipates the act and acts accordingly, but Kira knew he would anticipate his act and he acts on his own anticipation, though his nemesis in turn knew he would know that he knew that he anticipated – this goes on for a while and it’s really tiring.
American comparisons: As I mentioned, it’s essentially Dexter only with Death Gods and supernatural note books. Light even joins the investigation against him, similar to his Showtime counterpart. 

One Piece
by Eiichiro Oda
Original run: 1997 - ongoingop
What is it?: Monkey D. Luffy has always dreamed of being the captain of his very own pirate crew. After eating the Gum Gum Devil Fruit, Luffy gained elastic powers akin to those of Reed Richards. Upon hearing of the legendary treasure known as the One Piece, Luffy sets out to gather a crew and head for the Grand Line – the rumored resting place of the fabled treasure. To get a feel of the comic, his crew includes but is not limited to a womanizing chef that only fights with his feet so he can save his hands for cooking, an anthropomorphic reindeer who also happens to be a doctor, a swordsman who uses three blades (one in each hand and the other in his mouth), and a skeleton musician. This thing is crazy weird.
Why it’s good: It’s the best-selling manga of all time – it has to be doing something right. This comic essentially has everything: great story, well developed characters, huge scope and scale, and insane battles. The characters are really where this manga nails it, though. Each crew member has a well fleshed out backstory, and some of the best in manga – especially Robin’s past (prepare to cry).      
Why it’s meh: WTF? This series is incredibly goofy. While its serious moments are great, it’s really the slapstick that makes this manga what it is. It doesn’t always irritate, but sometimes the off-the-wall antics of the characters can be a little much. Still, this series comes with a huge recommendation.
American comparisons: Think Pirates of the Caribbean meets Spongebob Squarepants. Seriously.

Negima! by Ken Akamatsu
Original run: 2003 - ongoingnegima
What is it?: Ten-year-old Negi Springfield is a wizard from Wales who’s on his way to becoming a Magister Magi. After graduating from Merdiana Magic Academy, Negi is assigned a task in order to complete his magic training. His assignment is to teach English at an all-girls high school in Japan. As you can imagine, awkwardness ensues, with all the girls crushing on the young British teacher. Soon, some of the girls become privy to Negi’s abilities as a magician, including the tomboyish Asuna, and when danger reaches the school these girls form magical pacts with Negi and gain powers of their own. If that doesn’t catch your interest, clothes get blasted off on a nearly chapter by chapter basis.    
Why it’s good: Great characters. If you’ve read Akamatsu’s other award winning manga Love Hina, you already have an idea of the structure of this one. It’s definitely a harem comedy, but since the protagonist is a ten-year-old, it’s incredibly innocent. Even though there are a lot of girls in the class, each one is unique and distinguishable, with the most memorable becoming story leads themselves. Once the story is established, the stakes and scope of the story increase dramatically, so if it doesn’t grab you immediately, give it a little time.
Why it’s meh: Fan service overload. This may not sound like a bad thing, and it really isn’t. Most of the time, the fan service is hilariously inputted. For example, every time Negi sneezes, everyone’s clothes in a twenty foot radius get blown off. It may sound stupid, and it is, but it fits the tone perfectly. This may sound exclusively like a guy’s comic, but it would definitely appeal to girls. But, if this kind of thing is a deal breaker for you, this may be one to avoid – at least in the beginning. The fan service definitely takes a backseat once the meat of the story unfolds.
American comparisons: If Hogwarts was filled with Japanese school girls, it would be close to Negima!.

Soul Eater by Atsushi Okubo
Original run: 2003 - ongoingse
What is it?: Death Weapon Meister Academy located in Death City, Nevada is where young weapon meisters learn to control their weapons in order for them to become Death Scythes to be wielded by Death himself and Headmaster of the school, Shinigami (Yes, more shinigami). In order for the weapon to become a Death Scythe, it must ingest 99 human souls and one soul of a witch. The comic opens with Young meister Maka Albarn and her scythe Soul just one witch soul away from incredible power. But, this is the beginning of the story, I wonder if something is going to go wrong that will prevent that (something totally does go wrong).    
Why it’s good: Style. Soul Eater has an incredibly strong and unique style to it, especially its art. The sun and moon have twisted faces of their own, and the weapons themselves take the form of humans and have distinct personalities. It’s incredibly weird – like Tim Burton on acid – but it’s a lot of fun.  
Why it’s meh: Style. There’s another side to its strongest asset. If you’re new to manga or anime in general, this probably won’t convert anyone wary of venturing into the medium. Like One Piece, it’s pretty out there. Read the section above, and if it sounds a little too weird to handle, you’re probably right.
American comparisons: You’ve got me.

Did I overlook your favorite? Does one of these really suck? Let me know over in the forums.


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