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“With me poetry has not been a purpose, but a passion.” – Edgar Allan Poe
Writer and director Jim Jarmusch (Only Lovers Left Alive) manages to deliver a film that is poetic to the core. Showing that poetry is not merely for greeting cards and university course work. What seems like a slow, methodical and less humorous re-telling of Groundhog Day, turns into a lesson in seeing the beauty in between the lines of life. Adam Driver (Silence) manages to communicate the charm and tragedy of the simple life. His understated delivery manages to draw audiences into his performance and causes them to care for him despite his seemingly colorless existence. To balance out Driver’s character, Jarmusch provides the colorful and daydreaming Laura, who is played by Golshifteh Farahani (Exodus: Gods and Kings). Her entrepreneurial drive and desire to escape the monochromatic life in Paterson is the perfect foil to her husband’s life. The couple is surrounded by a plethora of personalities that add the spice that helps to inspire Paterson in his passion for verse and rhymes.
In amongst the poetic words and imagery lies a problem, which can be considered to be poetic in itself. This is a film that only the artists and poets can truly celebrate. Even though poetry surrounds every person’s life, it is rarely appreciated or acknowledged. Paterson will be relegated to literature classes and film appreciation courses, because like poetry, it is misunderstood. Like watching the bus driver work through the creative process, which can be considered tedious and boring, this will be a difficult film for audiences to celebrate.
Like many of the great poets, who are usually cherished after their death, this will be a film that will be admired from afar. It is a work of art that needs consideration and conversation to accompany it as it makes its way into the hearts of the poets who will love it for what it represents.