Midnight in Paris Review
John's Rating: 9.5/10
Player Affinity Composite Rating: 9.0/10
(3 reviews total)
Filming Midnight in Paris
was probably the most fun Woody Allen's ever had. His joy is evident from the moment the film begins to the moment it ends, and the film is so quintessentially him that I can't believe it took this long for him to make it. He's clearly been inspired by the City of Lights, and it's not hard to see why. Just as Manhattan
was a love letter to the titular New York borough, Midnight in Paris
is as picturesque as a postcard, and every line of dialogue drips with enthusiasm toward the beautiful French city. But what of the story? Well, it's more fun than anything this year, but best left a mystery. Allen detractors might find something to dismiss, but his fans—like me—will rejoice, for Woody is back, and honestly, he's as good as ever.
Gil Pender (Owen Wilson) is a successful Hollywood writer who's sick of churning out hack screenplays, so he tries his hand at a novel. Struggling to find inspiration, he travels with his fiance, Inez (Rachel McAdams), and her family to Paris. There, his worst nightmare comes true. He's forced to spend the trip in the company of Paul (Michael Sheen), a "pedantic psuedo-intellectual" who seems to have an opinion about anything and everything. Gil is in hell. He can't take these people and their nonsense. He just wants to escape and enjoy the quaint Paris of old, where his favorite artists, such as Fitzgerald, Hemingway, Stein, Picasso, and Bunuel, dwelled and created some of mankind's most treasured works of art. So one night, he jaunts off on his own, only to find himself lost. But it ends up being the best night of his life, and it's during these now nightly adventures that he finds the inspiration he was searching for, only its from some very surprising and unusual sources.
No further synopsis is necessary; the trailers were purposefully opaque because the film's chief pleasure is discovering the weird and wild world that is Paris after midnight. All I'm going to say is that the film takes a positively delightful turn every time the clock strikes midnight. Part of that fun is seeing the joy on Gil's face as he uncovers some of the city's stranger secrets. Another part relates to Adrianna (Marion Cotillard), an aspiring fashion designer who captures Gil's heart, as well as the hearts of some of Paris' most eligible—and brilliant—bachelors. The subtle romance between Gil and Adrianna is lovely and very reminiscent of some of Allen's best movie couples.
Owen Wilson plays Gil (who would have been played by Allen himself had the film been made 20 years ago) excellently. He's got all the characteristics of a typical Allen male lead—neurotic and pessimistic, yet incredibly idealistic and a romantic at heart. He's a character we've seen before, but some combination of Wilson and Paris has led to a rejuvination of the archetype. Cotillard gives the film's other great performance, though that shouldn't come as much of a surprise to anyone. She's been so good in recent years—from her Oscar-winning work in La Vie en Rose to her brilliant supporting turn in last year's Inception—and she's exceptional once again. The role of Adrianna isn't her most challenging, but when it comes to pure charm and acting alluring, Cotillard can't be beat.
If I had one small complaint about the film it's that Inez, as well as her parents and friends, are one-dimensional and total shrews. It's something that's common among Allen's most recent films, and though I rarely condone sacrificing character to advance plot, I think it's somewhat acceptable here. The film is pure fantasy, so you never really take it too seriously. And had we felt bad for a scorned Inez, some of the film's fun would have been missing. Still, I wish there had been another way than to just make her seem insufferable, and because Allen doesn't take that route, the film loses a couple points.
But make no mistake, this is top-tier Woody Allen. Personally, none of his films will ever top Crimes and Misdemeanors, but as far as his comedic efforts go, this up is right up there with Annie Hall and Zelig, among others. In many ways, I think Midnight in Paris is actually a perfect summer movie. Sure, it doesn't have huge stars or superheroes, but it's light and breezy, and it manages to strike the perfect balance between whimsical comedy and tender romance—not to mention that it's shot and scored with magnificent care and attention to detail. Even if you don't care for Allen and his pictures, I implore you to give this one a shot. It's beautiful on so many levels, it's a ton of fun, and it represents a master on top of his game once again. How could you ask for anything more?
Midnight in Paris
Written and Directed by Woody Allen
Starring: Owen Wilson, Rachel McAdams, Marion Cotillard, Michael Sheen
Other Player Affinity Reviews
Steven thought: "
Remarkably, only Woody has been able to riff on the same themes, characters, ideas, etc. for decades and manage to still churn out thoughtful, funny and heartwarming pictures (when making a comedy, of course, not one of his tragedies). Perhaps Midnight in Paris derives its warranted praise and acclaim merely for freshly emulating Allen’s beloved past work. Call him a cheater if you like for simply whipping up a new modern context for the same shtick, but Midnight in Paris could charm a tweed jacket and thick-rimmed spectacles onto almost anyone. Although all characters other than Gil serve as one-dimensional pieces that enhance the telling of his story as a fairy tale, it works beautifully
as a breezy summer romance harkening back to Allen’s work in the early-to-mid ’80s with films such as Stardust Memories and The Purple Rose of Cairo. Ultimatley, Woody has sent his fans a postcard with love from a magical city, but tacked on a postscript that reminds them that neither her nor they can spend time reveling in the past." Rating: 8/10
Max thought: "Joy. That’s the word that comes to my mind after watching Midnight in Paris
. Like John describes in his review, that’s the word Allen seemed to be aiming for, that much is clear in the film’s opening minutes and of course carrying through the entire runtime. After years of taking tonal routes that would be called “different” for his style, Allen is in his comedic element with “Paris.” The script is quick, but not convoluted and the jokes are as dry as they are sharp. The best way to enjoy “Paris” is to walk into the film knowing next to nothing about the plot. The reveal of Paris after midnight is all the more charming as a result. My only complaint with the (truly) stellar cast is Owen Wilson, who's not even bad, he just annoys me no matter what he does (it’s the voice). Thankfully, he’s surrounded by a cast that does an amazing job—with special shout-outs to Cotillard and Corey Stoll. Ultimately, Midnight in Paris
is Allen’s best work in years and is not to be missed if you love strong scripts and performances to back it up." Rating: 9.5/10
Player Affinity Composite Rating: 9.0/10