Wolverine and the X-Men #4 – Review
I think the best description for this latest issue that it is the Uncanny X-Force Aftermath issue. And that’s an interesting thing about the X-Books post-Schism: the Wolverine books seem to be a lot tighter than the Cyclops books. At the end of the last Uncanny X-Force issue (not counting the recent point one issue meant to be an introduction to Age of Apocalypse), we found out that Fantomex’s Apocalypse clone (Genesis) was to attend Wolverine’s school, that Angel had been mind-wiped by the experience, and that Beast now knew about the new X-Force (something he’d left Cyclops over a few years ago). This is quickly recapped at the beginning of WatX #4, but if you really want to have a great appreciation for the events of this issue, you really should pick up the trades of Rick Remender’s amazing run on Uncanny X-Men.
Interestingly, we have Nick Bradshaw as the artist this issue. Until now it’s been Chris Bachalo and I think his art style has been perfect for the tone of the book. Bradshaw does such a good job imitating his style, that I didn’t even realize at first that it wasn’t Bachalo. If you decided to pick up this issue you’ll want to keep an eye on the background as Bradshaw has littered it with easter eggs. For example, on the second page we see a dart board in the teacher’s lounge with Cyclops’ face on it. Another, later, panel has Quentin Quire trying to set a book on fire. I don’t want to spoil all of them for you, so just keep a sharp eye out as you read the issue.