Turn off the Lights
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Star Wars: The Rise of Skywalker Review
December 27, 2019 | Movie Reviews
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The Rise of Skywalker: Before The Viewing
December 20, 2019 | Movie Features
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The Philadelphia Film Festival opened Thursday with “Parasite” and “Just Mercy”
October 20, 2019 | Movie Features
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The Little Mermaid: A New Ariel
July 18, 2019 | Movie News
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Godzilla: King of the Monsters Review
July 8, 2019 | Movie Reviews

Movies

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Edgar Wright: A Man With Style

Edgar Wright, director of Shaun of the Dead, Hot Fuzz, is teaming up again with Simon Pegg and Nick Frost for his newest film The World’s End. 

6.5
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Only God Forgives Review: A Disasterpiece

The easiest thing to say about Nicolas Winding Refn’s latest film, Only God Forgives, is that it’s an experience.

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Why Exactly Is Wolverine So Darn Popular?

With the upcoming release of the The Wolverine this week, we here at Entertainment Fuse take a look at just what it is that keeps people coming back for more!

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‘Star Trek 3’ on the Search for New Writers

The Star Trek franchise is one of the most enduring franchises around, with the J.J. Abrams directed movies make over $800 Million worldwide. Now sources for Badass Digest from Bad Robot Productions are reportedly in talks with writing duo Ashley Edward Miller and Zack Stentz to scribe the Enterprise’s third (or thirteenth depending on how you look at it) outing.

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DISCussion: New on DVD and Blu-ray (7.23.2013)

It is a James McAvoy double bill with two of his movies being released onto DVD and Blu-ray, including our Recommendation of the Week. Also out are two South Korean crime movies and two re-releases from The Criterion Collection.

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The Plot Hole: Episode 102 – Pacific Rim, Creature Features and the Evolution and Future of Geek Culture

Nerdiness is the name of the game this week on The Plot Hole as we indulge our inner (and outer) fanboy and gleeful chat and analyze Pacific Rim before tackling the creature feature genre and the past, present and future of geek culture.

8.5
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The Conjuring Review: A Gripping, Tense and Overall Masterful Genre Revival

Like comedy, the horror genre can be a very subjective beast, finding or missing its mark as much do to its craft and execution as it does the particular individual who plops themselves into a theater seat. If something isn’t scary to someone – someone who earnest believes that of course – then a fright flick has failed at its core intent. Then we have something like James Wan’s The Conjuring, an artful, confident throwback that succeeds in maintaining a high tensile level of pressure on our senses, crafting vital jump scares, a potent human element and all encompassing technical prowess. This is the type of brave, but stripped down horror filmmaking that forces you to analyze other elements besides just the full effectiveness of its frightening intent. Plus it’s scary as hell.

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