Turn off the Lights
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Fall Network TV Preview: DRAMAS
August 17, 2019 | TV Features
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TV for the Common Folks: 2018 Best in Network TV
January 1, 2019 | TV Features
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A David Among Goliaths
December 30, 2018 | TV Features
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The Best of 2018 List – TV Edition
December 30, 2018 | TV Features
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Hulu’s July Round-Up
July 16, 2018 | TV Features

TV Features

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What Comedy is Best for You?

Good comedy is hard to find. Likely most shows you can’t get enough have been off the air for awhile now. Time to freshen up because there’s a lot to laugh at on your tube. So here’s a rundown for your every comedy need. Because let’s face it, after a long, boring day at work you don’t want to sit down on your couch and spend the evening turning channels hoping that something will put a smile on your face. No, just check these shows and see if they have the kind of jokes that will brighten up your day or give you material for your father-in-law/co-workers/that girl on the bus you always meant to talk to…

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Is Fantasy TV Killing Sci-Fi?

At PlayerAffinity TV, we cover a variety of shows, but it is fair to say we have a soft spot for a specific category. As I write, TV dramas we review on a weekly basis from that category include Alcatraz, Fringe, Person of Interest, and Supernatural. Science fiction shows (and those trying to pass themselves off as such) dominate the list, but if you thought it were a sign of brighter times for sci-fi series, you would be wrong. For many years now, among this broad category of “non-realistic” series, fantasy shows have been much more successful, and 2012 is likely to reinforce that.

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2011 TV Dramas: The Ever Growing Influence of Cable

At the turn of the year 2011, we did the expected year-end review
of what was exciting and disappointing over the past twelve months. In
the process, something — I wouldn’t have noticed just by considering my
own selections — jumped at me when looking at the consolidated choices
from the TV staff: almost everything worth praising in the drama
category, from the shows themselves to actors and actresses
performances, came from cable TV. If you have been following the gradual
transformation of the TV landscape in the U.S. over the past few years,
this might not come as a surprise, but it still made us wonder just how
much 2011 had contributed to that general trend.

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The Best and Worst of TV in 2011

With 2012 arriving today, we take a look back at the highs and lows of television in 2011. Each of our staff members chose a winner and runner-up for each award, which includes standard categories like best drama/comedy and dubious awards such as the show that needs to end the most.

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Why Cancelling Community is a Terrible Idea/Why You Should Watch it

If you know anything about broadcast television networks, it won’t likely have escaped you that NBC is not the most popular one out there. Save for the height of football season, NBC rarely, if ever, beats out its competition at ABC, CBS and Fox, but that isn’t necessarily a bad thing. Sure, NBCUniversal’s profits might not quite be where they’d like them, but acceptance that they’re never really going to win the fight for viewers sometimes means that they give shows a chance that would never have survived anywhere else but cable.

Community is one of those shows. Since its pilot, the show has had a slow, but steady decline in viewers and now in its third season, it sits just shy of four million a week on average. If you don’t know, that is not good. I’m not going to go into impressions and universes and what 1.7/5 in the 18-49 demographic means, but simply put, the show isn’t doing very well. In light of this fact, NBC recently made the decision to pull the show from its mid-season schedule, much to the distain of fans, and being one of them, I’m here to give you some reasons that we’re complaining and that NBC should keep the faith.

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How Are They Faring After Full-Season Orders?

The
holiday season hiatus is upon us, so virtually all scripted TV shows
are already on a break until January 2012, and those that are not will
unfortunately follow suit rather sooner than later. Because at Player
Affinity TV we are dedicated to making sure you are entertained even
during these insufferable breaks, we thought now would be a good time
to take a look at a particular group of those shows that will be
returning in January. We are going to check how freshman shows
performed after receiving full-season orders, whether they kept up
their creativity (for those that had any), whether they held on to
their audience or whether networks might already be having buyer’s
remorse.

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Once Upon a Time vs. Grimm: Battle of the Urban Fantasies

By
the beginning of October, all new scripted shows of the fall season
have typically premiered. This year, however, two TV series waited for
the end of the month to grace our small screens with their presence,
and it turns out both are heavily based on fairy tales. ABC’s Once Upon a Time, somewhat lighter, opened one week before NBC’s Grimm,
much darker, which fittingly premiered a few days only before
Halloween. With the similarity between the source material and the fact
that both shows chose a late start, we at Player Affinity TV couldn’t
resist a face-off.

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Television’s Most Terrifying Moments

Halloween is just
around the corner, so I thought there would be no better way to
prepare for the festivities than by looking back at some of the
scarier moments TV has given us over the years. Whether they were
shocking, frightening, or just all around disturbing, this collection
is the stuff of nightmares. So join me, if you dare, as I journey
into the the more haunting side of television. Someone cue the
maniacal laughter.

There has always been something truly unsettling
about taking the innate innocence of a child and flipping it on its
head. The only thing worse than a monster is a child monster; and
little Anthony Fremont was certainly that. The idea is simple, give
a young boy godlike powers and the malice to use them strictly for
his own enjoyment.

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Potential TV Imports: Japan

Remaking foreign TV shows into State-side conversions is something of a common practice recently. With Being Human renewed for a second season, The Office currently in its eighth, and American Idol (based on the British Pop Idol) about to enter season eleven, it would seem that Britain has long since been open to their American cousins borrowing concepts for shows. Recently, America has been going even further afield for show ideas. The Killing, which aired this year on AMC, was based on a Danish show of the same name. Homeland, which is currently receiving very positive reviews from critics, is based on Hatufim; a show which originally aired in Israel.

But for this article we travel to the far east, and Japan. As an avid lover of eastern television shows, I can tell you that their TV show concepts are full of imagination and exciting characters, so looking towards Japan for much-needed inspiration could be the way to go for TV executives and writers. Although “J-dramas” (as Japanese shows are known) tend to avoid science-fiction premises in favor of more grounded subject matter based on their culture or history, their core plot concepts do not often feel commonplace, as seen in the following examples of shows which I feel would be well-suited to American remakes.

 

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A Woman’s Touch: Female Leads That Fail to Entertain?

When broadcast networks unveil their fall schedule, more often than not, some trends become apparent. This fall, the clearly dominant trend, at least in the drama category, is shows with female leads. New series, whether they are trendy or not, always run the risk of being canceled even before a handful of episodes have aired. When that happens, we usually discuss how bad the particular series was or how frustrating it is that the audience couldn’t see the beauty in the show. This year, however, the female leads have widened the typical scope of such postmortem analysis, taking us into new territories.

Before discussing the series themselves, let me share with you why I think what the networks did matters, especially as you will see my points have some bearing on the shows’ reception. The expression “glass ceiling” exists because not all categories of the population seem to be able to reach the stars while there is apparently no visible barrier preventing them to do so. It is true that Cate Blanchett’s Elizabeth ruled over England (and Ireland) during the 16th century, just like it is true that Hillary Clinton, Oprah Winfrey, Erin Burnett and Rachel Maddow are household names today in the U.S. But, none of that changes the fact that the Larry Pages (Google) and Mark Zuckerbergs (Facebook) of the world are still very much distinctly male, even if right below them there is an increasing majority of very capable women.

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